The Winds of Ilion is an eclectic work that brings together poetry, academic essay, personal memoir, short-short story, and creative fragments in a manner redolent both of the early German romantics and of the Greek concept of moira.

Tragic writing emerges as a representation of a sacrificial crisis that calls into question the human relation to the divine.

Reflections on philosophy, eros, and contemporary tragic drama.

The Acolytes depicts the yearning of the young artist for success, acceptance, fulfilment.

Renati the King is a play that explores the final hours of Rene Descartes. It is also a play about the perennial question of how love is addressed, who embodies it, and at what level of mastery it is exercised.

A book of fragments and prose poetry celebrating what mothers try to pass on to their children: a sense of how to be grateful for the experiences in life that can be said to be not only beautiful but also significant in form.

Pulverizing Portraits provides the first book-length study of contemporary American poet Lynn Emanuel.

In this volume, Mark Daniel Cohen offers, in the first part, a fresh and intelligent look at Sophocles, re-writing Antigone almost as a Beckettian version of Tristan and Isolde.

This bilingual volume introduces the work of American prose poet Robert Gibbons to a transatlantic audience.

Pulverizing Portraits provides the first book-length study of contemporary American poet Lynn Emanuel.

In this book Camelia Elias introduces key terms in feminist, queer, and postcolonial/diaspora film.

A festschrift for Raymond Federman with the author’s inedit collaboration.

This book is a reading of the arabesque tales of Edgar Allan Poe, focusing on the main themes of love, identity, and reason.

Four Danish scholars analyze the film Derrida (2002).

Aforismer udvalgt og oversat af Camelia Elias & Bent Sørensen.

A book of prose poems.